Time Zones, Camps, College & Bloomberg Interview!
The jet lag zone is an interesting and fuzzy place to be. I once decided that the best way to avoid it was to not stay in any one place long enough to contract it. Not a very practical solution, but I thought of it while jet lagged - so it seemed sensible at the time.
Reason for this prologue is that I've been home from Australia for just a couple of days, and am completely, 14-hour-time-diff-jet-lagged. Making an important decision about anything would be a potential disaster right now, so have chosen the safe path instead, and having wonderful days at home with Audrey, decompressing, assembling Ikea furniture and making a new batch of homemade granola (recipe on request - it's *good*).
Addendum to that: . . . and feeling safer thanks to the great efforts of President Obama, his advisors and our Navy Seals. Awesome.
Australia was GREAT. We launched our new Jumpsteady Boys band (Compton, Newberry, Stefanini and myself) at the National Folk Festival in Canberra to very appreciative audiences, and it left us all wanting more. If you're into Facebook, check out my 'Musician Page' and you'll find links to videos and pics. The Aussies really know how to put on a festival, and the “Nash” is undoubtedly one of their best.
Camp season starts for me in a couple of weeks with Banjo Camp North in Charlton (near Worcester), MA May 13-15. Lots of instruction, jams, etc with great teachers in old-time and bluegrass. Don't forget your bracket wrench. More to come at Huntingdon Folk College (PA), Mark O'Connor Fiddle Camp (TN) in June. Later this summer it's Common Ground (MD) and Jay and Molly's Ashokan Southern Week (NY).
Speaking of Ashokan camps, 2011 will be a very special year there. After much planning, fundraising and tireless effort from Jay, Molly and others, Ashokan is being rebuilt on higher ground into new facilities. That should all be in place next year, and so this will be the last time on the old grounds that so many of us have made our one-week-home for decades. Should be a real celebration - if you've never been to Ashokan Southern Week, this would be a great time to make it.
Other exciting happenings:
A couple of weeks ago, Bloomberg News ran an article about yours truly! Some very nice words from the likes of Linda Ronstadt, Jerry Douglas and Mark O'Connor really made my day.
And last but definitely not least: I'm thrilled and honored to be joining the faculty at Berklee College in Boston for spring semester 2012. It's been a dream of mine to see more old-time and traditional music integrated into a formal college curriculum in the US and I can't wait to dig in with students and faculty there.
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If you’ve been visiting my personal Facebook page, please visit my 'Musician Page'. That’s where much of the music-related goings-on will be moving to in coming weeks. Sign on and check in when you can!
Happy spring, and hope to see you soon.
Bruce
Apr 05, 2011
Spring Road Trips & New Bands
I love to drive. Always thought I would have made a good family dog . . . wind in your face, a thousand smells. I think I even smile like a dog when I'm driving. No radio (usually) but just the sounds all around.
And that all starts again this week. First stop Jalopy, super-cool club in Red Hook, Brooklyn this Friday (Apr 8) for an evening beginning with old friends The Whistlin' Wolves and Michelle Yu. Driving on to Cambridge, Mass Saturday for music workshops and a concert at Club Passim. If you can't make it there, it will be streamed live on the internet, a new and wonderful addition to Passim's already rich repertoire, thanks to Forrest O'Connor's new Concert Window (check out www.concertwindow.com).
Road trip continues into Maine on Sunday with three shows for Phill McIntyre's NE Celtic Arts series. Then workshops in Yarmouth, shows in Boothbay Harbor and Martha's Vineyard, and finally falling back south to home in Washington, DC. I'm getting happy just thinking about it.
All my life I've been a bit of a car nut. I like fast. I like glasspack mufflers. But conscience set in for the last car purchase and now have gone hybrid. It felt a little like a manhood sell-out, but has turned out to be the end of the mourning period for my '67 Barracuda (I wrecked it in '74, so have been dressed in Imron black for quite a few years now). But fuel economy has become a very fine substitute for speed. My last road trip with the new wheels was 2400 miles on less than $175 worth of regular gas. Instead of watching the speedometer, now I watch the fuel economy gauge. Obsession comes in all forms. If you like the ideas of energy independence, and of junking up the environment just a little less, I highly recommend it.
And here's some big news: Jumpsteady Boys! Joe Newberry, Mike Compton, Rafe Stefanini and I will be traveling to Australia in a couple weeks to kick off our new band! That's the second band I've been in that started it's life in Australia. (Mozaik was the first). Looking forward to starting it all out at the National Folk Festival in Canberra.
Lots to do. I hope to see you out there somewhere.
Happy spring!
Bruce
Apr 05, 2011
Mark O'Connor Fiddle Camp
In 1990, Mark O'Connor invited me to teach old-time fiddle at his Tennessee Fiddle Camp. I've been back every year since, though now it's moved to new digs at East Tennessee State University in Johnson City. The camp offers deep immersion into a variety of styles, each taught by masters. Even being on the teaching side of things, it's opened my eyes to another level of the beauty and the almost limitless potential of the fiddle.
This year's camp will be no exception. The instructor list is stellar:
John Blake (Jazz)
Buddy Spicher (Western Swing/Country)
Bobby Hicks (Bluegrass)
Judy Hyman (Appalachian Old-Time)
Byron Berline (Bluegrass)
Carrie Rodriquez (Country)
Bruce Molsky (Appalachian Old-Time)
Kelly Hall-Tompkins (Classical)
Federico Britos (Latin/Uraguan/Cuban)
Samantha Robichaud (Canadian)
Brad Phillips (O'Connor Tunes)
Gillian Gallagher (Viola)
Patrice Jackson (Cello)
Kyle Kegereis (Bass)
Hans Holzen (Back-up Guitar)
Pam Wiley - O'Connor Violin Method
Melissa Tong (O'Connor Method Teacher Training Book III)
If you're looking for a week of musical inspiration and intensity to remember for a long time, by all means
check it out! Mark O'Connor String Camp
Buddy Spicher (Western Swing/Country)
Bobby Hicks (Bluegrass)
Judy Hyman (Appalachian Old-Time)
Byron Berline (Bluegrass)
Carrie Rodriquez (Country)
Bruce Molsky (Appalachian Old-Time)
Kelly Hall-Tompkins (Classical)
Federico Britos (Latin/Uraguan/Cuban)
Samantha Robichaud (Canadian)
Brad Phillips (O'Connor Tunes)
Gillian Gallagher (Viola)
Patrice Jackson (Cello)
Kyle Kegereis (Bass)
Hans Holzen (Back-up Guitar)
Pam Wiley - O'Connor Violin Method
Melissa Tong (O'Connor Method Teacher Training Book III)
If you're looking for a week of musical inspiration and intensity to remember for a long time, by all means
check it out! Mark O'Connor String Camp
Jan 09, 2011
Welcome to the new Tree Frog Music website!
Star web designer Paul Fox has succeeded in dragging me out of the 20th Century and into the cyber-present. (He dragged me into the late 2000s as well with the previous site design). Huge thanks to Audrey Molsky for coordinating everything, making sure we all did what we were supposed to (uh, actually I'm not quite done yet), and for lending her technical expertise and vision to the project.
The main thoughts behind the new site are to make things easy to find, to create a space where interesting things can live, and of course to make you want to visit. We've added links for Facebook, Twitter and YouTube where you'll often find me anyway. Once we're rolling, there will be music segments, videos, road photos and links to other people and places of interest.
In the end, of course, it's all about the music. I do hope you'll check in with my tour schedule and come to a show when you can. If you're interested in learning to play old-time fiddle or banjo, I offer workshops and participate in organized music camps and programs throughout the year. I also love working in the studio, and we have a wonderful, updated on-line store here featuring solo and collaborative projects, and instructional recordings.
Please push the big old 'Contact Bruce' button and let us know what you think. Like everything in life, this is a work in progress. We want to make it as good as it can be and appreciate your input. Thanks a lot for visiting, and we'll see you soon!
- Bruce
Apr 23, 2010
Bruce Molsky, Edinburgh Folk Club
It's tempting to describe Bruce Molsky as a human iPod, but while that would convey his ability to draw, at random, from a repertoire as large as it is impressively diverse, it fails to appreciate how all that music managed to get into his memory without the luxury of downloads.
Just how a city boy from the Bronx became so fluent in old-time Appalachian fiddling as to sound like a North Carolina native who's never set foot beyond Surry County would be a story worth telling in itself. Molsky, though, has assimilated much more of American – and Scandinavian, and Balkan – folklore in the process of developing into the 21st century equivalent of those Southern States roadhouse players who could make people dance to any one instrument.
If no-one was doing any steps here, that's no reflection on Molsky's musicianship. His opening pair of fiddle tunes had vigour, drive and wild Virginia flavour enough to make any joint jump and his Johnson City Rag, played on his newly restored guitar, probably had too much style and note-bending subtlety to be reduced to a mere vehicle for lost inhibitions.
Across a panorama of empathetically observed cowboy ballads, honestly delivered a cappella gospel songs, exuberant dance tunes magically transposed from Balkan brass band onto just six strings and – you don't read this phrase very often – soothing banjo rounds, Molsky cast his self-effacing spell.
I particularly enjoyed his celebration of Bahamian guitarist Joseph Spence, whose relaxed, calypso-imbued blues sounds like Big Bill Broonzy reclining in a hammock, but that was the apple pie in a gig that, as a whole, justified the notion of music as soul food.
